Temari #111-113: on dynamic design

Each of these three temari designs have a dynamic element to their design.

Sometimes a creative block occurs for a particular project and it gets put on hold for a while. Temari #111 is such a project. It was on hold so long that I forgot I had it until I came upon it while sorting and reorganizing sewing supplies.

Only the purple triangles were stitched at the time it was abandoned. They looked like floating picture frames with no purpose. Not very interesting or dynamic.

In the picture above, you can see there are two needles at rest, stuck in the ball while I take the picture. There are two needles because the squares are stitched in alternate light blue and dark blue rounds.

So, I added the square picture frames as connectors to tie the triangles together and to emphasize the spin of the design. I had started thinking of them as picture frames because they looked empty as if they needed to display something to give them meaning.

Both the square and triangle picture frames were filled.

Temari #111 is a C8 division. Think of cube or tetrahedron polyhedrons. The squares are on the faces of a cube or the points of a tetrahedron. The triangles are on the faces of a tetrahedron or the points of a cube.

The 6 blue squares are on the poles. The orange trefoils (I forget the Japanese temari term) are on the center of the triangles with their points at the center of each side of the triangle markings. You can see the black thread marking the ball as I forgot to remove it. The purple triangles are also centered on the marked triangles, but turned so that their points are about halfway between side and point of marked triangle.

Temari #111 is dynamic in that it has bold design elements and a design that creates a strong illusion of motion.

Although temari #112 is a relatively simple design of only two elements, the division is a C10 which is a bit more difficult and time consuming than a C8.

 A C10 is based on the the polyhderon the dodecahedron with its 12 pentagon faces.

Originally, I had planned for the triangles to have multiple rows of stitches, but it became too dominating, so unstitched what little I had done and scaled back to one row.

Without color, Temari #112 would be a very static design. To prevent the allover pattern from becoming completely static, a variegated thread was used for the triangles. The underlying triangles help move the eye from one pentagon flower to another with the use of changing color relationships.

Temari #113 is another C8. It was marked for a C8 with thread matching the ball wrap, then additional division lines were added in light blue to define the faces of a Great rhombicuboctahedron (also known as truncated cuboctahedron), which has octagon, hexagon and square faces.

Double thread lines were wrapped with another thread to create a thicker thread line to define the shapes. The octagon design was stitched first since they were to be the focal points of the temari design. Something seemed to be missing until the little french knots were added to the points of the single thread design element.

Lately, the lattice design that is referred to as asanoha (translating to hemp leaf) in Japanese design, has been showing up in my temari. It is a lovely triaxial embroidery pattern that makes a wonderful filler. I could not resist using it in the hexagon spaces on this temari.

The little squares needed a fill that would visually connect the octagons and hexagons without demanding much attention, adding to the overall design without detracting from the other two elements.

Here again, variegated thread does help break up the otherwise static design. Although the lattice design in the hexagons use almost solid colors, changing scale of design detail helps prevent the overall design from appearing flat.

The threads for all three temari are some of my hand dyed threads.

Dynamic design is something I work towards in most of my artwork. Here, design element placement was used in temari #111 to create an illusion of movement of shapes.  In temari #112 and #113, change in scale played a small role in contributing to a dynamic design by preventing the surface from appearing flat. I know, not possible on a curved surface, but the concept if on a 2D surface would be better illustrated. Also, in temari #112 and #113, variegated color threads were used to create changing relationships between design elements, causing the eye to explore the surface. 

I hope you enjoyed an inside view of some of the thought processes that goes on when I design temari as much as I enjoyed making them.

 

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Temari 107 to 110: being patient

Being Patient. For me, temari #107 to 108 represented the state of being patient.

For these temari, I was patient by both commonly used definitions: “Able to accept or tolerate delays, problems, or suffering without becoming annoyed or anxious.” and “A person receiving or registered to receive medical treatment.” Not surprisingly, the origin of the word patient means suffering.

Temari #107 was begun in May, before a series of surgeries. It went with me to quite a few doctors’ appointments. This is a C8 temari stitched with hand dyed #8 perle cotton threads and a silk/bamboo yarn.

I am very pleased by the effect of contrasting the light/heavy threads and delicate/bold design elements.

You can see part of my temari project bag to the right of the picture. This is a newer style of my temari tote bags. Maybe this will be the subject of a future post. My original style of temari tote bag had a hexagon base and a drawstring closure which went through a several revisions.

When I finished this temari at one of my appointments, I was so excited that I took a picture and texted it to a friend. I never did rephotograph it with a better background, hence the hospital gown as the background.

Then, I started another temari so that I would have something to work on while recovering from surgery. I was excited about the diamond design and looking forward to finishing it.

Then there was a long gap of a couple months before another temari was finished.

During a period of a month, I had four surgeries and an emergency room visit with hospital stay. During that time and for weeks afterwards, I did not feel like sewing, nor much of anything else, not even even read a book nor listen to music. Pain, lack of energy and just not feeling well were not good motivators for even favorite activities. The not feeling well was in part due to a mystery infection that prompted an emergency room visit and subsequent several day hospital stay between a couple of the surgeries.

But, in the thick of it all, I did find a couple days where I was inspired to and had enough energy to make a small temari. The diamond temari had to wait for a while longer.

Temari # 108 is a mini. It is a C10 temari with a diameter of about an inch or a little less. The design is the same as temari #100, but in a different color scheme. The threads are: perle cotton #10, three strand embroidery floss, two strand embroidery floss and single strand embroidery floss. Only the perle cotton threads are hand dyed.

It was made under a magnifying glass and made for one of my surgeons. He is a microsurgeon who uses a microscope to perform surgery. My work was not nearly as complicated nor as challenging as his was, but the gift was well received.

I think my next mini temari challenge will be to work in finer thread to achieve greater detail.

After quite a few weeks of waiting, mostly sleeping and trying to be patient and not get frustrated by a lack of energy to do anything, I finally picked up the diamond temari and started stitching again.

The diamond temari, # 110, was actually finished before #109, but I forgot to photograph it and number it before its predecessor. My temari are numbered by order of finishing, otherwise it would get confusing since I often have several in progress at the same time.

Unlike the previous temari design, this one was completely unplanned from the beginning.

The threads are all hand dyed perle cotton. When I first started this diamond, my vision of the design did not go beyond the larger diamonds. Next the smaller diamonds were stitched. At this point, the design was missing a critical element to visually tie the diamonds together, which turned out to be the hexagons. Lastly, little diamond were stitched since the hexagons needed a connecting element and something to finish the diamond spaces. 

With the diamond temari done, another temari project was needed to keep me occupied at upcoming doctor’s appointments. Thinking to make a simple design, I embarked on a C8 temari with large and small squares that woven together with triangles. I thought I had come up with an easy design that would not require much concentration, but nope. I kept messing up the under/over start of a band and would have to rip it out and start over. Doctor’s offices can be rather distracting. It could have been a real trial of patience but I never did get frustrated.

Temari #109 is a C8 stitched with hand dyed perle cotton threads.

Before and between surgeries there were a few sewing projects on the sewing machine that demanded my attention. These were projects that I felt could not be ignored, things that made my life a little easier or less painful such as making a comfortable surgical drain holder, a seat belt pillow and altering post-surgical garments.

I used to wish I was a more patient person. I know better now. For me, developing patience means trials that will challenge me to develop patience. That type of challenge is often not very pleasant. Overall, I have been a patient patient, and since I must go on being a patient with many more doctor’s appointments to go, I might as well continue to practice patience about being one. 

With the distractions of health issues, it would be easy for that to become the focus of my life, rather than a distracting part of it. Admittedly a very distracting and disruptive part of my life. Most of the time, I remain patient with where I am at in my recovery and work towards being able to fully return to my normal activities that are central to who I am.

Fortunately, temari making is a good activity for me to indulge in while waiting until I am able to do more physically demanding activities.

Currently, I have another temari almost done, and plans for many more. And then there are other non-temari sewing projects too, which I will write about another time.

 

Temari #105- frost

Temari #105 is finally done after 4 weeks in the making.  It started with couching silver cording to the ball. This temarii does not have any geometric division of the surface, The embroidery is free form.temari-105-detail-in-progress

So that the couching thread would be less noticeable, a fine silver thread was used. Because the thread is not smooth like an embroidery or perle cotton thread, the thread would snag on threads in the ball when stitching. This would lead to the thread shredding and breaking. Very annoying. But the effect was worth the extra effort.

Each spiral is crested with a ridge of silver and turquoise beads, like the hoar frost.
temari-105-detail-in-progress-2  The leaves were frosted too.temari-105-finished-3

 

And then sequins and beads were added to the background, creating the glitter of sunshine being refracted from all the frost in the area surrounding the leaves and tendrils.temari-105-finished-4

 

This was a difficult temari to photograph. The ball looked dull with indirect lighting, or there was glare with direct lighting reflecting off of the beads. The glare is much like sun on the snow in our yard now.snow

Do you see the glitter of sun on the snow in the picture above?the-gate-in-snow

The picture above was taken yesterday.

temari-105-finished

snow-on-patio

By this morning, there was about 6″ accumulation.

 

 

Temari #104- colors of autumn

The colors of autumn inspired the color theme of this temari, which is #104.

We have two Japanese red maple trees in our yard that are a joy to watch their colors change with the changes of the seasons. One stays red from spring to autumn, just changing to a deep, dark red and the other is a bit more dramatic in its color changes. The second tree starts red in spring. Next, the the leaf canopy of the taller oaks and hickory trees fills out and shades the little red maple tree. Then, the red maple tree turns green until autumn when the leaves turn a lovely deep red to burgundy, like in temari #104.

temari-104

I just finished this temari. It has been over a month since I started to stitch the pattern. It would not have taken so long except I had to take a break from stitching and other fun stuff that required the use of my dominant hand.

Compression of nerves and tendons at the wrist caused much irritation of nerves and tendons, requiring a brace and resting the arm. The arm is almost well. The tendons are still a bit tight, so range of motion still has not recovered yet, but it is slowly improving with gentle stretching exercises.

What was begun in autumn was finished in winter. The trees are bare now and we have had subfreezing temperatures at night and frost. So it looks and feels like winter too.

My next temari, the one I am currently working on, is winter inspired. The colors are turquoise and silver.

I keep a basket of what I call temari blanks. They are temari balls that have been wrapped and are ready for stitching. I don’t measure and mark a blank ball until I have a general idea of what kind of design I am planning on stitching. So, they really are blanks.

This temari is a rare departure from my typical temari designs which are usually based on geometric division of the ball surface. The design is being freehand embroidered, so there was not need for measuring and marking the ball.

A turquoise ball in the basket and some recently purchased silver colored cording are turning into a winter temari. A winter theme was the perfect excuse to try out couching the new cording on a temari.

temari-105-detail-in-progress

Here is a preview of the start. To see how it looks finished, you will need to come back soon.

Temari #101- a dozen daisies

This is temari #101, just finished. It is a reflection of our yard garden, with brightly colored  summer flowers in bloom.

temari 101 view 2

There are twelve daisies on this ball, in six different colors. The pair of each color is on polar opposite sides of the ball, so that only one of each color can be seen at a time.

temari 101 view 1

This is a C10 temari that is 4″ (10.2cm) in diameter. It is stitched with hand dyed #5 perle cotton thread.

Temari #100- a mini c10

This is my 100th temari that I have made.

temari 100 view 2

It is a mini c10 stitched with embroidery floss (single, double and triple strands) and perle cotton #8. The perle cotton is hand dyed.

temari 100 view 1

It is 1 1/4″ in diameter.

 

 

 

 

 

Temari #99

This is the 99th temari I have made since I first discovered temari and started making them three years ago.

 

temari 99

I think it was the lure of geometry in the round and the seemingly endless design possibilities were irresistible and hooked me in spite of my anti-hand sewing bent. I have since been reformed and enjoy hand sewing, at least in some applications (still not fond of hemming or mending).

Polyhedrons are fascinating and a sphere is such a perfect form, so I find designing and creating embroidered works based on spherical polyhedrons to be very rewarding.

This temari is a C8 with asanoha stitching inside the 8 hexagon areas and the 6 four-pointed stars include stem stitch and chain stitching. Asanoha stitching is a traditional Japanese pattern that is named for resemblance to the hemp leaf.

All the threads used for stitching are hand dyed perle cotton in sizes #5 and #8.

temari 99 close up of asanoha pattern

 

Temari #98- Black Trillium

What? You think there is no such thing as Black Trillium?

temari 98 black trillium view 2

A Trillium in a woodland plant that is native in temperate regions of North America and Asia. The flowers have only three petals. There is much variety in the shape of the flowers and the colors of the petals range in shades of red, purple, pink, white, yellow, or green,  but no black.

temari 98 black trillium view 1

At least no black Trillium flowers in nature, so I created a cluster of them on a temari. This is a C10 division temari that is stitched with hand dyed perle cotton thread in sizes 5 and 8.

Sadly, there are no Trillium in my yard garden, of any color. Maybe one of these days, my garden will be graced with a Trillium, and any color would be fine with me as they are all lovely.

Temari 97- another gift

Temari 97 was made as a gift for my mother, who is red/green color blind.

temari 97

Since she is as fond of plants as I am, it was tempting to make one that was botanically inspired. I was seeing green leaves with red flowers in my mind, but I also wanted to make one for which she could see the colors as a non-color blind person would see them.

This is a C8 division temari stitched with cotton perle in both hand dyed (light blue and yellow) and commercially dyed (black and dark blue).

I chose blue, yellow, black and white. The six blue pointed stars with yellow centers ended up being somewhat flower-like in design. So, I was pleased with how the temari turned out; I hope Mom is pleased with it too.

 

Temari 96- a gift

temari 96 view 1

This temari was made to be a gift for my father. It is a C8 division that is made of six units of interwoven pairs of spindles that make X’s and 8 units of 3 spindles that interweave to make stars.

The dark X’s were stitched with three different hand dyed perle cotton #5 threads, from light blue/green in the center to dark blue on the outside.

The X’s were stitched first, knowing there would be some design element in the almost hexagon spaces, but not know what. After the dark spindle X’s were done, making spindle stars in the remaining spaces seemed like the logical solution.

Three different hand dyed perle cotton #8 threads were used, a different one for each spindle, to stitch the stars. Lighter colors were used for the stars so they would be a secondary design element as they contrast less with the background.  Each spindle color traces a line around the ball, which gives some movement to an otherwise almost static design.

An ecru color was used to outline all the spindles, which helped to emphasize the weaving, at least on the dark X’s.

temari 96 view 2

I am pleased with the finished temari and I am sure my father, a mathematician, will enjoy it too.